I remember sitting next to the new girl in fifth grade while
we quietly both drew our best pictures during class.
The competition was pretty even until she came along and shook the apple
cart. I remember impressing classmates
with the same picture of hills, the sun, a blue sky, and the occasional
tree.
She was drawing ducks and chickens
precisely from memory. Jealousy struck
me down. This wonderful artist followed
me through school for seven more years. We even shared Art I, II, and III in
high school. I watched her improve, and
eventually become the teacher’s pet senior year while I was scrambling to get my
projects turned in…usually late. What I
learned from this was that I needed to stretch myself, but I wasn't sure how.
a highschool art project
In college I took an art workshop class that definitely accomplished
that. Two guys who had already done the
job of “stretching themselves” criticized my cookie cutter artwork, leaving
lasting words like “it looks like something I’d find on my Grandma’s end table”
and “I’ve seen all this before” while slamming my beautiful, handmade
sketchbook closed in front of my face…and everyone else in the class. I was so proud of that thing!
What I learned from my teachers was how and why to be authentic. As cheesy as it sounds, I learned that the end result isn't as important as the process. My work didn't have to be beautiful. They just wanted it to be a journey rather than a repetitive equation used to keep me safe from judgement. It was a hard lesson in "accepting criticism". I mean really accepting criticism...like being so okay with it that rather than running home and crying to someone about how big of a failure I was, I decided to have a heart to heart with my stubborn ways, allowing it to soak in and impact me in a positive way.
What I learned from my teachers was how and why to be authentic. As cheesy as it sounds, I learned that the end result isn't as important as the process. My work didn't have to be beautiful. They just wanted it to be a journey rather than a repetitive equation used to keep me safe from judgement. It was a hard lesson in "accepting criticism". I mean really accepting criticism...like being so okay with it that rather than running home and crying to someone about how big of a failure I was, I decided to have a heart to heart with my stubborn ways, allowing it to soak in and impact me in a positive way.
In a time when art is all over the map, I believe the key
ingredient to being an artist is authenticity, and it can be practiced in all
avenues of life. I discovered that my relationships and everyday living could use a good dose of it, too. The monotonous hill and
sky picture did the trick in fifth grade:
It impressed my peers (the ones I could barely speak to, because I was probably
the quietest girl in school). All I
wanted was for people to like me. I wasn’t actually concerned with being an
artist of any sort. Sure, I’ve always
loved creativity, but
even more than that…I now love authentic creativity...the kind that is cultivated by a deeper strength and confidence. That is something that honors our souls. Honoring the soul above honoring the desire
to simply be liked is something I was not only pushed to learn from my college
professors, but from God. He teaches authenticity (and strength)
like no one else. Jesus draws the true
artist out in all of us.
THIS is an awesome article that goes along with the idea of this post by Relevant Magazine:
THIS is an awesome article that goes along with the idea of this post by Relevant Magazine:
"Made in the Image of God"?
----When we fully grasp what it means to bear God's image, we are at once struck with the grandeur of our possibilities and the tragedy of our unrealized potential. To be fully human is to fully reflect God's creative, spiritual, intelligent, communicative, relational, moral and purposeful capacities, and to do so holistically and synergistically. Furthermore, though all humans possess these godlike capacities, each of us has the potential to express them distinctively, because God's image has been imprinted uniquely on each of us. In God's infinite creativity there are no duplicates; you are the only you there has ever been or ever will be.
Reprinted by permission of the publisher, John Wiley & Sons, Inc., from About You , by Dick Staub. This article was adapted from pages 29-37. Copyright © 2010 by John Wiley & Sons, Inc.----
----When we fully grasp what it means to bear God's image, we are at once struck with the grandeur of our possibilities and the tragedy of our unrealized potential. To be fully human is to fully reflect God's creative, spiritual, intelligent, communicative, relational, moral and purposeful capacities, and to do so holistically and synergistically. Furthermore, though all humans possess these godlike capacities, each of us has the potential to express them distinctively, because God's image has been imprinted uniquely on each of us. In God's infinite creativity there are no duplicates; you are the only you there has ever been or ever will be.
Reprinted by permission of the publisher, John Wiley & Sons, Inc., from About You , by Dick Staub. This article was adapted from pages 29-37. Copyright © 2010 by John Wiley & Sons, Inc.----
